The night before last year’s US presidential election, on 7 November 2016, Bruce Springsteen performed at a rally for Hillary Clinton in downtown Philadelphia. He played three songs: ‘Thunder Road’, ‘Long Walk Home’, and ‘Dancing In The Dark’. But he broke-up his acoustic set by speaking, briefly, from what looks in the YouTube video like a teleprompter. “The choice tomorrow couldn’t be any clearer,” he said. “Hillary’s candidacy is based on intelligence, experience, preparation, and a vision of an America where everyone counts … This is a country where we will indeed be stronger together.”

I remember watching a live stream of that performance and feeling, for the first time since Clinton had secured the Democratic nomination in June, that the former Secretary of State might not actually win. You don’t have to credit Springsteen – as I do – with any kind of special prophetic insight into America’s national character to see that his muted enthusiasm for Clinton reflected a broader public unease. Polls showed that Clinton was the most unpopular presidential candidate in modern American history – except for Donald Trump. And, one way or the other, that grim dynamic cost her the race. In Philadelphia, Springsteen’s reluctant surrogacy for the Democratic nominee seemed, somehow, to foreshadow the result.

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